The second edition of the Kiss Kiss Festival proved that lightning can, in fact, strike twice—and this time, it came with even more energy, intention, and heart.
From the moment you stepped onto the grounds, it was clear that this wasn’t just another music festival. The Kiss Kiss team has built something far more meaningful: a space rooted in connection, inclusivity, and a genuine sense of community. Every detail—from staging to layout—felt deliberate, curated by a team with a long-term vision of creating an environment where everyone feels welcomed… with a kiss, and a second one if you please.
What stood out immediately was the professionalism and support extended to media. It’s not often that access and organisation run this smoothly, and it made covering the festival an absolute pleasure. A special thank you goes to Anekke for handling the logistics seamlessly, and to Dom and Tourmaline, who were instrumental on the ground, ensuring everything flowed effortlessly.
The build-up to the festival was already a highlight. Thanks to the Kiss Kiss team, I had the opportunity to virtually interview Simon Ratcliffe from the legendary British duo Basement Jaxx the Friday before the event. That conversation added an extra layer of anticipation leading into Sunday—and it certainly delivered.
Musically, the festival catered to a wide spectrum of tastes. The main stage was a vibrant showcase of genres and talent, featuring international flair from Mr Cutts, alongside strong local and alternative acts like Si.Noir, L.O.C., Desmond and the Tutus, Internet Girl, and the ever-iconic Mafikizolo.
Then there was Salad Valley—an experience all on its own—spotlighting some of South Africa’s finest DJs. Sets from Abby Nurock, Tamara Dey, and Adam The Drag Diva kept the energy high and the dancefloor alive, offering a more intimate but equally electric atmosphere.
With a backstage pass in hand, I had the privilege of connecting with many of the artists, diving into their passion for performance and what drives them to create. These moments behind the scenes often reveal the heartbeat of a festival—and at Kiss Kiss, that heartbeat is strong.
And then came the moment everyone had been waiting for. Seen in the picture, Basement Jaxx took to the stage, and the crowd erupted. It was one of those unforgettable live music moments—pure, unfiltered joy.
As they launched into their set, the rain began to fall, for safety reasons they took a break and we took cover. No one left. We got soaked. As soon as they were allowed, Simon and Felix took to the stage again and we danced harder, and the show carried on in true festival spirit.
It was chaotic, euphoric, and completely perfect.
Kiss Kiss Festival isn’t just about the music—it’s about the feeling. It’s about connection, celebration, and creating a space where people can come together and just be.
So the real question is… where’s your head at if you’re not coming to get Kiss Kissed at number three?